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Sex Pistols guitarist Steve Jones, while on his book tour in Huntington, NY,  in January 2017 agrees with me that Mott the Hoople influenced his old band. He wouldn't autograph the record, though.

Music Industry Observer

No, I never learned how to play piano, but I can strum "House of The Rising Sun" on an acoustic guitar. I've been kicking around the music industry since being a teenager. It recently occurred to me that I've met 3 Sex Pistols (Johnny Rotten, Steve Jones, and Sid Vicious) but only 2 Beatles (Paul McCartney & Ringo Starr). Welcome to My Back Pages, with apologies to Bob Dylan.

I've worked publicity and promotion for various musicians since my college days. I furnished Long Island jukeboxes and radio stations with a local band’s 7-inch single, see them signed to Elektra Records (see Wowii magazine article below), only to see their terrific album permanently shelved for a sobering welcome to the underbelly of the business. I later served as a consultant to the late music attorney H. William Krasilovsky on an edition of his book This Business of Music. I wrote the liner notes to Monster Music's "SuperDisc" surround versions of albums by Sergio Mendes and George Benson & Al Jarreau.

Some of my writing and interviews are chronicled on Rock's Backpages (subscription required). Here's a sampling to my reviews and essays in recent years blogging for Huffington Post and Women Across Frontiers, among other outlets, about: The trial of Sid Vicious (The Guardian); PrinceDavid Bowie; Tom WaitsPatti Smith; Courtney Barnett; The B52s; Eric Burdon; Rolling Stones; Morrissey; Marian McPartland & Kate Tempest; Chuck Berry & Johnny Rivers; BushSupertramp; Warpaint; Bryan FerryThe Kinks; Garland Jeffreys; Nuggets; Allen Toussaint; Bob Dylan; The Beatles; Roy Orbison; Gil Evans (Wire); Joseph Arthur; Buddy Guy & Junior WellsDion, Neil Young, Mott the Hoople/Ian Hunter; Steppenwolf; The RamonesGregg AllmanSting; Gil Scott-Heron; Van MorrisonNirvana, Eric Von Schmidt, and Lou Reed  

Over the years, I've written think pieces for various publications about my musical obsessions du jour: how the Vinyl Comeback (more on that later) is being severely undercounted (The Audiophile Voice); Richard Thompson & His Talented Family (TAV); R. Crumb (Wax Poetics); the first rock bootlegger (Goldmine); Bob Dylan's lasting significance as a cultural icon (High Times); overlooked British heavy metal bands; The Politics of Rock (Popular Music & Society); the disappearance of Tower Records; the final nails in physical media's coffin; Sony Music's lame attempt at copy protection (TAV); Record Store Day's Summer Camp (Long Live Vinyl); exclusive interview with Joey Ramone and Dee Dee Ramone (Shindig); Al Stewart (Record Collector); Alex Steinweiss, the father of modern album packaging; Carolyn Hester; and litigation surrounding Bob Marley's estate (Vibe and Billboard).

For eight years (1998-2005), I edited a trade magazine called Medialine that covered CD and DVD production, before both home entertainment formats tanked. I wrote the lead column, such as this tribute to Folkways founder Moe Asch. Soon after Napster's emergence, I expected that streaming would soon become the masses' preferred way of consuming music, movies, and TV. But no one could have predicted the return of vinyl as a niche deluxe product that consumers were willing to pay twice as much for what they paid for a new CD. Vinyl's resurgence defies all technological and economic sense in the digital age.

A few years ago, my fascination with the vinyl comeback led me to co-found in 2017 a B2B conference called Making Vinyl, celebrating the global rebirth of the format. Besides naming the event, my role includes conceiving the conference theme, inviting speakers and editing the program guide. The event has given me the opportunity to meet personal heroes, including Jack White, and "Little Steven" Van Zandt (above left). In a role reversal, it also gave me the opportunity to be interviewed by Billboard, to which I've periodically contributed over the years.

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Photo by Larry Jaffee, all rights reserved. East Village, July 1985. Dee Dee Ramone & Joey Ramone.